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Pro Audio > Premier Guitar

Friday July 13, 2018. 07:00 PM
Who doesn’t love the crisp and clear sound (or raw raunch) from a P-90-packed guitar?
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Living Colour bass behemoth Doug Wimbish gives a stadium-worthy demo of the company’s tiny—but mighty—new compressor/sustainer.
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Check out how one of the biggest guitar makers in China have brought their custom-shop ethos to America.
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Check out the killer looks and sounds of the first modern-day offering of a semi-hollow favored by one of the greatest blues guitarists ever.
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Ben Hinz scrambles our heads with a destructomatic fuzz machine and an eminently twiddle-able pitch shifter.
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Enthusiastic and optimistic, the American guitar giant’s crew shows off a slew of upcoming designs, from Memphis semi-hollows to Historic and USA Les Pauls, and more.
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Amp and guitar builder Chris Mitchell uses his T-style and LP-style axes to rock through two growling heads loaded with spring reverb and 6L6s.
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A more affordable ticket to infinite sustain.
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Thursday July 12, 2018. 09:30 PM
The Classic Series debuts with three feature-packed amps: the B25C, B50C, and B100C.
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The guitars use an 'aged to vintage' (ATV) treatment that reportedly allows the solid Sitka spruce top to cure and open up more over time.
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One of pedaldom’s most adventurous builders presents a deliciously varied reverb, and a multi-mode modulator.
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An iconic bass design undergoes a subtle yet significant refresh, both inside and out.
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Wednesday July 11, 2018. 11:45 PM
Watch how the Michigan company's impressively deep reverb can move from shimmery cascades to old-school spring tones quickly and easily.
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Hear the lush wash of space and reflections in this brand-new pedal that combines independent spring and hall reverbs.
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Even on borrowed gear, the metalcore pioneers are able to bring the thunder with a handful of ESP guitars, some Mesa/Boogie firepower, and a stash of gnarly fuzz pedals.
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Nashville's own Brian Nutter dresses to impress and demos a futuristic model that sports a wealth of switching options.
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A non-temperamental fuzz that the company says was designed to perform with other effects without sacrificing its sound.
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A 25.5”-scale single-cut with a T-style bridge plate, Wilkinson tremolo, and S-style control layout.
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Andy Powers shows off four new upper-end acoustics now graced with his innovative V-Class bracing system.
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A closer look at how, or if, an acoustic cutaway affects your tone.
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