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Thursday September 25, 2025. 04:22 PM
pedal BOSS Announces XS-100 and XS-1 Poly Shifter Pedals
BOSS announces the XS-100 and XS-1 Poly Shifter products, two advanced pitch-shifting effects for guitar, bass, and other instruments. The XS-100 is a pitch-shifting workstation with a massive eight-octave range, real-time pitch control via an onboard pedal and footswitches, ...
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xs- Darkglass Electronics Launches “Entropia”
Darkglass Electronics, a global leader in high-end bass amplification and effects, proudly announces the release of Entropia, a groundbreaking multiband compression and distortion plugin designed exclusively for the Anagram platform.Inspired by the concept of entropy, the...
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control DOD Unleashes the Overdrive Preamp 250-X – A New Chapter in a Legendary Pedal’s Story
DOD today announces the release of the Overdrive Preamp 250-X, the 10th iteration of its legendary OD250 pedal. Available worldwide through local and online retailers, the 250-X delivers unmatched tonal versatility for players of all skill levels and musical styles. With...
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are “I think it was a song that I wasn’t sure about at first. It felt different, you know, uptempo and sexy, but I love it”: Olivia Dean admits to having initial doubts about her current global hit single
Man I Need is one of the most streamed songs in the world right now
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range “I simply could not go on working with Liam a day longer”: Noel's "#1 favourite guitar" that Liam smashed the night Oasis split is up one of over 100 Gallagher-related items up for auction
It could fetch up to £500,000
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its “Complex chords and sustained lead tones are reproduced with stunning clarity”: With an 8-octave range, real-time control, has Boss raised the standard for pitch-shifting pedals with the XS Poly Shifter series?
The XS-100 is a pitch-shifting workstation with integrated expression pedal, 30 memory slots, MIDI, and lots of range while the XS-1 presents a 6-octave range in compact format
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one “His body of work is unparalleled in its quality and also in the incredibly varied number of musicians he worked with”: Danny Thompson, Pentangle bassist supreme, who played for Kate Bush, Roy Orbison, Nick Drake, and more has died
Tributes have come in from Tony Visconti, Graham Coxon and others
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sound “Ultra-natural vocal performances that are indistinguishable from live recording sessions”: Could IK Multimedia’s "ethical" ReSing software be a gamechanger for AI voice modelling?
Feed it your scratch vocal and it will replace it with an “expressive, professional-quality voice”
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pro audio Faster Master from Mastering The Mix
Developed alongside DJs and producers David Guetta and Nicky Romero, the latest plug-in to join...
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Wednesday September 24, 2025. 10:45 PM
audio Rhpf Electronics Introduces The Twin Peaks Eiger-Mönch
Two purpose-voiced delay lines that can run in parallel or interact in a true cascade. Built to transform delay from a passing effect to a core element, shaping time, sculpting space, and unlocking textures never heard before.RhPf Electronics has introduced the Twin Peaks...
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music The Who Rig Rundown
The Who need no introduction, so let’s get to the good stuff: PG’s John Bohlinger caught up with the band’s farewell tour at Fenway Park in Boston, where guitarist Pete Townshend’s tech Simon Law and bassist Jon Button’s tech Joel Ashton gave him a look at the gear ...
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news “We were side of stage every night, salivating and looking at their pedalboards”: Paradise Lost's Greg Mackintosh on channelling Radiohead, covering the Smiths, Trouble’s elusive tone tricks – plus the '80s Ibanez pickup behind his epic sound
The Paradise Lost guitarist on how '80s nightclubs shaped his style, writing guitar as a vocals, and how an old overwound Ibanez Iceman pickup was the holy grail tone on new album Ascension
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proaudio “He wanted all that at an undoable selling price”: Mesa/Boogie founder Randall Smith confirms rumours that it built James Hetfield a signature model – and it combined three iconic amps in one
A Diezel, a JC-120 and a Mark IIC+ all in one? That would have cost a whack – and it would have, which is why the Metallica frontman's prototype never got released
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musician “Once we had done that, we were in the game”: 60 years of The Last Time – the Stones’ big breakthrough
It was the group’s first self-penned Number One
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studio 9 mistakes producers make when using an audio interface - and how to avoid them
From misused monitoring to phase disasters, here are 9 music-making lessons learned the hard way
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pro audio news ​Reverb Therapy, Part 1
Reverb is one of the most powerful colors in our palette. We all know that moment when you feel the need to add some to your tracks—whether you’re recording and looking for an inspiring new dimension, or you’re mixing and require that extra touch of spatial magic. But...
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pro audio news headlines Peavey Rock Master Preamp Pedal Imposes Its Presence onto the Pedal Board
Peavey Electronics® is now shipping the latest in their new Legacy Series of pedals, the Rock Master® preamp pedal. This pedal delivers the highly sought after Ultra Gain tones of the early 90’s Rock Master Guitar Tube Preamp in a compact package small enough to fit in...
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pedal Plugin Alliance release Shadow Hills OptoMax
The latest arrival to the Plugin Alliance range delivers a new compressor plug-in based on the much-loved Shadow Hills Mastering Compressor. 
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xs- “My brother took me there and we waited in line when I was 14 years old, and I’ve been a fan ever since”: 30 years after queuing for his autograph, The Killers’ Brandon Flowers has the "honour" of performing with ‘80s synth-pop legend Howard Jo
The pair duet on Jones’ ‘80s hits No One Is To Blame and Hide And Seek
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control “Will pound your ears with thick saturation… dense walls of fuzz straight from a ‘90s fever dream”: Players who deal in big gnarly riffs might need to add the Way Huge Doom Hammer Fuzz to their ‘board ASAP
Inspired by a modded '78 op-amp fuzz, with tighter low-end, the awesomely named Doom Hammer Fuzz is a simple but versatile three-knob stompbox with a wide range of gain
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