Navigation

Filters

Add Site

About

En français

“When we were mixing, he used to get so excited that I used to have to hold him down with one hand and try and carry on the manual mix on the desk with the other": The making of the Clash’s mature masterpiece, London Calling

Monday December 22, 2025. 11:48 AM , from Keyboard Magazine

How football, thrown ladders and destroyed pianos combined to create the 'album of the 80s'

Related News

Michael League x Nate Smith: A London Performance That Hits Hard

No TrebleDec 21

“People have been imitating my sound for a long time, but now someone can type a prompt and make a song that sounds like Chris Lake – that's wild!”: Chris Lake on how AI is putting music-making “under threat”

Keyboard MagazineDec 20

Klevgrand releases London Sessions expansion for OneShot

Rekkerd.orgDec 19

Behringer says its $55 Oberheim-inspired UB-1 Micro is the "world's smallest full-featured analogue synth"

Keyboard MagazineDec 18

"We are in and out of there – sometimes in an hour-and-a-half! – and we’re done with the track": Burned out recording vocals? Myles Kennedy shares his top for getting the perfect take

Keyboard MagazineDec 18

"He said, 'Put this in your mouth.' Smelled terrible. But I did it, and then I used it on Rocky Mountain Way”: Joe Walsh on the best guitar solo he ever recorded (and how it officially made the talk box a thing)

Keyboard MagazineDec 17

"It's cut so that you can have boobs and play guitar, which is so awesome": Olivia Rodrigo explains why she loves playing her custom Ernie Ball Music Man St Vincent Goldie signature model

Keyboard MagazineDec 17

"You don't need to know music theory – Nopia takes care of that": Two years after going viral, this pastel-coloured, harmony-focused synth has finally broken cover

Keyboard MagazineDec 17

Klevgrand releases "Parrot" Audio Repeater Plugin (VST, AU & AAX)

KVR AudioDec 16

“She's one of the world's great musicians. She was Prince's right-hand woman for years”: How Wendy Melvoin’s bass playing became the “secret weapon” on Sombr’s 12 to 12, which began life on a Korg Triton

Keyboard MagazineDec 16

"He came and said, 'Are you going to pay me for that sample?' We said 'Oh, we already paid you', and he went ‘No – you paid somebody else'": Fatboy Slim on The Rockafeller Skank's iconic "funk soul brother" sample

Keyboard MagazineDec 16

"It’s just the most emotive piece of music": Alter Bridge's Mark Tremonti on the greatest guitar solo of all time – and how alternate tunings are the key to unlocking his lead playing

Keyboard MagazineDec 16

“Not the most thunderous of kits. Not particularly loud, but sophisticated, rounded and darkly inviting": Slingerland Radio King drum set review

Keyboard MagazineDec 16

"Rob was a friend and collaborator through much of my life. He was funny, he was smart, he was a mensch”: Harry Shearer, Paul McCartney and others pay tribute to Rob Reiner

Keyboard MagazineDec 16

"FL Studio is coming to your browser": Image-Line announces FL Studio Web in bid to "lower the barrier to entry" for new users

Keyboard MagazineDec 16

“We got a list of about 40 songs. Internally, certainly, I scoff - that’s almost three hours. This is insanity. What are we gonna cut?": Taylor Swift's bass player Amos Heller says he couldn't believe the length of the proposed setlist on the Eras T

Keyboard MagazineDec 15

“I wrote the song in about 15 minutes, then I went home because I realized there was no point in working the rest of the day”: The quickly-written Death Cab for Cutie masterpiece that became a generational meditation on loss

Keyboard MagazineDec 13

"You're not just a music producer, you're also an event manager, to some degree": 'Immersive first' electronic musician Halina Rice on creating unique live experiences and producing new album, Unreality

Keyboard MagazineDec 12

Steve Morse: “I'm a Student of Everything"

Premier GuitarDec 12

Wavesfactory Trackspacer mixing plugin on sale for $29 USD

Rekkerd.orgDec 12

115 sources

Current Date

Dec, Mon 22 - 13:42 CET