On Meshell Ndegeocello and Artistic Curiosity

What does your favorite player’s back catalog reveal about their artistry?I recently reconnected with one of my earliest teachers and mentors in London, Geoff Gascoyne. Google him—he’s had an incredible career, and he set me up with some invaluable information at the beginning of mine. I was a guest on his podcast, The Quartet, and so many amazing memories about my very first days of becoming a bass player came flooding back.One of the most important lessons I learned, just weeks after picking up my first bass, was also something that wouldn’t come into focus for some years—and it’s something I think we all deal with as fans of music.We all have our favorite artists and favorite albums or periods of output from our heroes. It’s one of the major considerations that factors into whether we’ll go that extra step and buy a new recording or a concert ticket. Geoff knew I wanted to be a jazz musician and recommended some incredible albums like Art Pepper Meets the Rhythm Section, Speak No Evil by Wayne Shorter, and Soul Station by Hank Mobley. But in that very same lesson, he threw another name into the mix: Meshell Ndegeocello.I fell in love with her albums Peace Beyond Passion and Plantation Lullabies, and her playing on those records has shaped my foundation as a bass player more than any other artist I’ve ever listened to. Both came out in the early and mid ’90s, when I was doing nothing but listening to and playing bass every day. They were the soundtrack of a very formative time in my life, and as such, my attachment to the music was intense.Fast forward a decade to the mid 2000s: I’m living in New York, even playing on the same bill as her. Through my initial disappointment that she didn’t play any of those songs I loved so much as a kid, I started to understand something incredibly important about what it is to be an artist.She was playing for herself in the studio. She was making music that mattered to her and not following a tried-and-tested formula of copying the albums that made her successful early on. It would have been so easy to make variations of Plantation Lullabies and be known for a specific thing for the rest of her career. But despite the massive success of Peace Beyond Passion, which was her second album, she followed it up with Bitter: acoustic guitars, strings, and big, open-sounding drums. A complete—and very brave—left turn.“Curiosity is always going to win out in the artist’s mindset, and those who are truly curious tend to write and play for themselves.”This is not the norm today. People find something that works, and then they do it over and over again. They maybe change the lighting in their TikTok video once in a while or go do “their thing” in front of a famous landmark in the hopes of more followers. But they rarely seem to play for themselves. They do it specifically because they deal in the metric of attention, and are beholden to their audience.My big takeaway is that I think it’s important to realize this both as a fan and as a player. It’s easy to expect something from your heroes because you have such a connection to a small part of their catalog—and that’s what you want to hear when you go to see them live. But history tells us that a large percentage of serious artists have moved on, sometimes even before an album is released.Curiosity is always going to win out in the artist’s mindset, and those who are truly curious tend to write and play for themselves. Whoever comes along for the ride is a bonus.We’re all basically along for the ride, and I think we can lose sight of that when we get too attached. Don’t get me wrong—I’m always going to love Peace Beyond Passion—but I’m also going to remember that it’s the artist beneath the performance that I’m actually most attached to. I now try to have as open a mind as possible when I go see my heroes live or listen to their new music, and that has a massive impact on how I go about my own career as an artist.With my current goal of releasing three new albums every year until my time here ends, I have to let go of the last thing and move to the next more efficiently than ever.I think you’d be surprised by some artists you think you really know—then you go digging in their back catalog and discover there are things they put out that never reached your ears.Now, more than ever in history, it’s our job as fans and players to stay engaged in the fundamentals—and ignore the noise.