Danny Carey reveals that Tool have never recorded to a click: “As soon as I count it off, the click goes off. We’ll do however many takes it takes for me to be happy with my thing”

Read more at Keyboard Magazine

Related News

"To be honest, I don't consider myself a guitarist, so I don't sit around and think about the whole thing too much": Noel Gallagher explains his songwriter mindset in our classic interview

Keyboard MagazineApr 12

“Sounds amazing, bro!”: Eric Gales reveals he is playing custom guitars made by a man named Eric Gale! Watch the blues-rock maestro demo one with Mary Schwartz

Keyboard MagazineApr 11

“I was worried to death that this thing was gone”: Jerry Cantrell’s ‘Blue Dress’ G&L Rampage has been found safe and well

Keyboard MagazineApr 11

“Not just another preset pack”: Expressive E’s Phase Plant Expressive Suite takes Osmose, Ableton Push 3 and other MPE controller owners into whole new dimensions of sound

Keyboard MagazineApr 10

“I can only say I am 1,000% happy with the end result”: Seymour Duncan and Eric Gales team up for a pickup set to give your S-style a “perfect balance of vintage warmth and modern clarity”

Keyboard MagazineApr 10

'The first thing you often hear on any blues record is a taster of what's to come': Here are 40 turnarounds to fire up your blues guitar playing

Keyboard MagazineApr 10

“I chose the wrong key”: Mark Knopfler reveals the Dire Straits song that “didn’t come out the way I wanted”

Keyboard MagazineApr 9

"It's faded, I f**king dropped a cigarette on it... I named it when I was drunk but I don't remember what the catalyst for that was!": Gibson reveals the Slash “Jessica” Les Paul Standard

Keyboard MagazineApr 9

"We always recorded with Michael in the dark - he hated light": Engineer Bruce Swedien on the making of Michael Jackson's Thriller, track by track

Keyboard MagazineApr 8

'The 29 songs he recorded (plus 12 alternate takes) show a musician who was technically and stylistically ahead of many of his peers': 5 ways to play like Robert Johnson without going down to the crossroads to make a deal with the devil

Keyboard MagazineApr 7

'Certain chord progressions have been used thousands of times throughout the history of recorded music, so there’s no reason you shouldn’t use these three popular examples': Kickstart your songwriting today

Keyboard MagazineApr 6

Belew, Levin, Vai, and Carey Announce Full “Beat” Tour Dates

No TrebleApr 5

With Universal Audio Verve Analog Machines, Analog Warmth Is a Click Away

GearWireApr 4

"If I'm taking high-end off my vocals, I like Soundtoys FilterFreak": Taylor Swift producer Jack Antonoff reveals his top 10 vocal plugins and recording techniques

Keyboard MagazineApr 4

“My introduction to fuzz was before I had any on my face”: Alex Lifeson takes his pedalboard journey back to the start with Lerxst’s The Snow Dog – a limited edition octave fuzz with bark and bite

Keyboard MagazineApr 4

“The sound of this thing is really quite surprising”: Watch Robben Ford demo the 8W tube combo from the amp company that gives his Dumble a run for its money

Keyboard MagazineApr 4

John Lee Hooker: "Eric Clapton, John Mayall and all those other people over in England made the blues a big thing. In the States, people didn't want to know"

Keyboard MagazineApr 2

The story of the Resynator, the long-lost '70s synth beloved by Peter Gabriel and Butch Vig: "Most synthesizers I encounter are more like domesticated animals, but here was this thing, like a wolverine"

Keyboard MagazineApr 2

"Nobody's gonna tell me that a hunk of wood with strings stretched across it is sacred": Pete Townshend reveals all about why he became a guitar smasher

Keyboard MagazineMar 27

“We spend a month on the sound and five minutes on the chord changes”: Remarkable classic interview with Kraftwerk reveals how the band created their iconic electronic tunes, and what really went on in their mythical Kling Klang studio

Keyboard MagazineMar 27