Best Bass Guitar Pedals in 2024

As a rule of thumb, bassists are slightly more pragmatic about pedals than their 6-stringed peers. That’s not to say that bassists don’t like pedals, but their ‘boards are typically less extravagant and fine-tuned to the task. So, if you want to keep your rig neat, clean, and fine-tuned for the task at hand, then you need to choose the proper pedals the first time — that’s where we come in!

To guide bassists everywhere in their pedalboard pursuits, Sweetwater’s low-register experts have convened, consulted, and debated to find the best guitar pedals for bass available on the market today. From PA-ready preamps to funky envelope filters, and from utility pedals to equalizers, octave effects, and beyond, here it is: Sweetwater’s employee-curated list of the best bass guitar pedals in 2024!

Note: At Sweetwater, we know there’s no such thing as “best” when it comes to music gear. Every player and artist has unique tastes, which is what makes selecting gear so fun! The items on this list feature some of our favorite products from top manufacturers to help you start your buying journey! Explore these recommendations and dive into Sweetwater’s massive collection of gear on our online store. For personalized picks and expert advice, please contact our knowledgeable Sweetwater Sales Engineers at (800) 222-4700!

Preamp, Overdrive, Distortion & Fuzz PedalsModulation PedalsOctave & Pitch PedalsTone & Dynamic Effects PedalsMulti-effects PedalsBass Guitar Pedal Buying Guide

Preamp, Overdrive, Distortion & Fuzz Pedals

Tech 21 SansAmp Bass Driver DI V2 Pedal

A time-tested DI/tone-shaping classic

The Tech 21 SansAmp Bass Driver DI V2 is a pedal that requires almost no introduction — it’s been an absolute staple among gigging and recording bassists for decades, providing players with a highly portable alternative to a traditional amplifier setup without compromising on tone. An extensive array of tonal controls is available on this pedal’s top section, allowing you to perfectly dial in your sound for any gig or recording session. Plus, the bass and mid controls boast dedicated shift knobs for modifying their center frequencies, ideal for accommodating extended-range basses or adding a bit of growl to your midrange. Finally, the SansAmp Bass Driver DI V2 includes both 1/4-inch and an XLR outputs with a host of utility controls, all adding up to a must-have stompbox for any bassist looking to ditch the bulk of their traditional setup!

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ProductTech 21 SansAmp Bass Driver DI V2 PedalTypePreamp/DI Bass Pedal with 3-band EQ and Frequency ShiftAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inch, 1 x XLR, 1 x 1/4-inch (Thru)Power Source9V DC Power Supply (Sold Separately) or Phantom PowerPros• A must-have tone-shaping pedal• Can double as a distortion pedal with its drive knob• Unlimited tonal options

Two Notes ReVolt Bass Amp Simulator Pedal

True tube-powered, low-end warmth

Is that a real preamp tube packed into the center of the Two Notes ReVolt Bass amp simulator pedal? It certainly is! Combined with an all-analog signal path, this preamp pedal’s “old-school meets new-school” design delivers exceptionally warm bass sound with wide-ranging tonal versatility. Three channels (clean, dirt, and drive — each with its own extensive tone-shaping sections) allow you to craft iconic bass tones from throughout the bass’s entire history — from crunchy hard-rock punch to funky vintage vibes and everything in between. Next, built-in analog speaker emulation allows you to send fully formed tones straight to the PA, interface, or mixing board, and the 4-cable mode, effects loop, and MIDI make it a breeze to integrate the Two Notes ReVolt into an existing rig. If you’re a bassist who demands the traditional warmth only glowing glass can provide, then the Two Notes ReVolt should be at the top of your list.

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ProductTwo Notes ReVolt Bass Amp Simulator PedalType3-channel Bass Preamp, Amp Sim, DIAnalog/DigitalAnalogInputs1 x 1/4-inch, 1 x 1/8-inch (Aux)Outputs1 x 1/4-inch, 1 x XLR, 1 x 1/8-inch (Headphones)Power Source12V DC Power Supply (Included)Pros• Iconic amp tones• Built-in analog speaker simulation• 3 footswitches that can activate the clean, dirt, or drive channels

Ampeg SGT-DI Bass Preamp Pedal and DI

Ampeg’s analog past enters the digital future

Half preamp, half DI, all Ampeg: the SGT-DI bass preamp pedal and DI is an all-in-one rig replacement that combines the warm tone of Ampeg’s analog past with the limitless possibilities of digital technology. This highly portable pedal is a veritable rig replacement, packed with cutting-edge Super Grit Technology, a built-in overdrive circuit with gritty tones modeled after two legacy Ampeg amplifiers (B-15 and SVT), and a robust assortment of sound-shaping equalization controls. Moreover, the SGT-DI represents Ampeg’s very first hardware foray into the world of impulse response, offering three classic factory cab emulations and three more slots for your favorite third-party IRs. Did we mention the onboard variable compressor? If you’re looking for world-class Ampeg tones without the bulk and weight of a traditional amplifier setup, then the Ampeg SGT-DI is a comprehensive rig replacement ready to take on any stage or studio low-end application.

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ProductAmpeg SGT-DI Bass Preamp Pedal and DITypeBass PreampAnalog/DigitalAnalogInputs1 x 1/4-inch (Input), 1 x 1/4-inch (Aux In), 1 x 1/8-inch (Aux In)Outputs1 x XLR (Direct Out), 1 x 1/4-inch (Preamp Out), 1 x 1/4-inch (Thru), 1 x 1/4-inch (Line Out)Power Source9V DC 500mA Power Supply (Included)Pros• Your entire bass rig in 1 stompbox • Ability to re-create iconic Ampeg SVT and B-15 voicing • Ability to load up to 3 cabs via Ampeg IR Loader app

Origin Effects BassRig Super Vintage Bass Preamp Pedal

An all-analog re-creation of an iconic amplifier

Origin Effects has quickly established itself as a force to be reckoned with in the effects world, pushing the art of the pedal forward by cramming studio-quality sonics and utility into standard stompbox-sized enclosures. The Origin Effects BassRig Super Vintage bass preamp pedal takes it further by packing an entire amplifier into its compact enclosure! This pedal delivers an all-analog re-creation of the warm, full sound made famous by one of the bass world’s most iconic amplifier brands. But it does so with a significantly expanded EQ section and feature set. The combination of a 3-band EQ, 800/3k/220 midrange switch sets, ultra hi setting, amp-out EQ section, and DI cab sim switch (the iconic 8 x 10-inch configuration, of course) provide you with a limitless sonic palette to shape the bass tones of your dreams. Are you searching for a rock-solid DI rig? The BassRig Super Vintage also sports a balanced XLR out to send your signal straight into the PA or mixer.

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ProductOrigin Effects BassRig Super Vintage Bass Preamp PedalTypeBass Preamp DI PedalAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inch (Amp Out) 1 x XLR (DI)Power Source9V DC Power Supply (Sold Separately)Pros• Legendary amp sounds at your feet• Has blend and drive controls to balance your wet/dry signal and crank up the gain, respectively• One of the best tone-shaping pedals on the market

Modulation Pedals

Electro-Harmonix Bassballs Nano Twin Dynamic Envelope Filter Pedal

The crown jewel of your bass ‘board

A single knob and a 2-way switch are all the Electro-Harmonix Bassballs Nano twin dynamic envelope filter pedal needs to inject your tone with a funky, vocal-like flair! In a nutshell, this pedal is a slimmed-down take on the original Bassballs but packs a sonically identical tone in a far more pedalboard-friendly form factor. A single response knob adjusts the sweep range of the Bassballs Nano’s dual filters while the distortion switch kicks up your signal with a touch of harmonic grit. What’s more, the response knob doubles as a volume control for the distortion switch’s level — it’s a highly intuitive, exceptionally touch-sensitive setup that allows you to dramatically vary even simple bass lines by switching up the strength of your attack.

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ProductElectro-Harmonix Bassballs Nano Twin Dynamic Envelope Filter PedalTypeFilterAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inchPower Source9V DC Power Supply (Sold Separately)Pros• Affordable and compact • Offers 2 different sweeping filters• Distortion switch that gives you additional harmonic enrichment

MXR M82 Bass Envelope Filter Pedal

Funky filtering with top-class control

The MXR M82 Bass Envelope Filter pedal is an industry-standard stompbox for funk-minded bassists, supplying an endless array of groovy tones! Boasting a slightly more in-depth control section compared to many other bass envelope pedals, the M82’s adjustable decay and Q knobs deliver a sweeping variety of squelchy filter sounds. Next, the sensitivity knob is purpose-built to accommodate a variety of playing styles — perfect for bassists who jump between picks and fingers or who utilize a rig with both active and passive instruments. Lastly, a dry knob mixes in your unprocessed signal to keep your low-end punch firm, tight, and present. It’s all packed into MXR’s classic pedalboard-friendly metal enclosure, boasting a true bypass construction to keep your signal clean and clear when not in use.

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ProductMXR M82 Bass Envelope Filter PedalTypeFilterAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inchPower Source9V DC Power Supply (Sold Separately)Pros• Pedalboard-friendly size and stylish new chassis• Gives you that classic funky bass sound• True bypass that allows you to retain your tone even when the pedal is off

BOSS CEB-3 Bass Chorus Pedal

The shimmering sound of the ’80s

Whether you’re doing your best Sting impression, starting a moody post-punk band, or simply loving the sounds of the ’80s, no bass board is complete without a chorus pedal. The BOSS CEB-3 Bass Chorus pedal traces its lineage back to the world’s first chorus box, but it comes with a few extra features to pair better with the bass. Level, rate, and depth will be familiar to any musician who uses a chorus box, but the CEB-3’s low-filter knob is a unique, bass-specific addition that sharpens your sound and eliminates any unwanted mud. Lastly, the CEB-3 comes loaded with stereo outputs — a natural choice for any chorus box — that allow you to send your dry signal to one amp and your modulated signal to another, thus resulting in a lush, 3D tone that only a chorus can provide.

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ProductBOSS CEB-3 Bass Chorus PedalTypeStereo Bass ChorusAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs2 x 1/4-inchPower Source9V DC Power Supply (Sold Separately)Pros• A must-have chorus for bass guitar• Added low-filter knob that lets you avoid muddiness• Provides subtle detuning to rich, spacious chorus

Aguilar Grape Phaser V2 Bass Effects Pedal

An updated iteration of Aguilar’s funky phaser

Swoosh and sway with the wild modulation tones of the Aguilar Grape Phaser V2 bass effects pedal! Phase has long been a standard-issue bass effect for its ability to impart a touch of movement and excitement to even the most routine of root-note rhythms, but there’s an issue lurking under the surface — by their very nature, phase effects tend to diminish your instrument’s low end. Thankfully, Aguilar designed the Grape Phaser V2 with innovative 4-stage circuitry to perfectly preserve your instrument’s lowest lows — even on extreme jet-engine takeoff settings. A 2-knob control scheme keeps everything nice and simple, with a unique color knob that feeds your signal back through the phase circuit for a warm, funky feel. And fear not: though the Grape Phaser V2 may feature updated graphics and dramatically reduced weight, it’s sonically identical to the now-classic Grape Phaser pedal under the hood.

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ProductAguilar Grape Phaser V2 Bass Effects PedalTypePhaserAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inchPower Source9V DC Power Supply (Sold Separately)Pros• Lush, analog phase shifting• Simple control layout • A tonal upgrade from its predecessor

Octave & Pitch Pedals

BOSS OC-5 Polyphonic Guitar/Bass Octave Pedal

Two classic BOSS octave tones in one box

As a do-it-all octave pedal equally fit for both guitarists and bassists, the BOSS OC-5 polyphonic guitar/bass octave pedal offers superior tracking in two different settings. Are you looking for old-school BOSS OC-2 mono-octave tones? Flip the switch to vintage mode to kick out a 3-octave range of fat, tuned-down tones. In addition, the OC-5 also features a polyphonic mode that perfectly tracks throughout the bass’s entire register — ideal for thunderous sub-bass sounds and guitar-like melodic/chord work. Finally, a dedicated dry direct output allows you to explore the OC-5’s wild octave potential to the maximum while keeping the band in check with your uncolored bass tone. It may not be a dedicated bass pedal, but the OC-5’s one-two punch of two classic BOSS octave pedal designs makes this one of the best guitar pedals for bass available today.

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ProductBOSS OC-5 Polyphonic Guitar/Bass Octave PedalTypeGuitar/Bass OctaveAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inch (Main Out), 1 x 1/4-inch (Direct Out)Power Source9V DC Power Supply (Sold Separately)Pros• Guitar/bass switch that allows you to change the tracking response based on which instrument you are playing  • Has some of the best tracking out of any octave pedal• 3 modes that allow you to seamlessly change your octave sound

Electro-Harmonix Bass Mono Synth Synthesizer Pedal

Superior synthesizer sounds from EHX

Unless you’re looking to have your low-end space invaded by the left hand of a synth player, you need a fat-sounding bass synth pedal like the Electro-Harmonix Bass Mono Synth synthesizer pedal! Jokes aside, this pedal seriously upgrades your tonal versatility by transforming your signal into one of 11 unique monosynth patches. This Bass Mono Synth is an exceptionally flexible sonic tool, with deep subtones to vintage-style voices to even sounds that seamlessly slot into modern electronic music. Toss in an assortment of sound-shaping options, expression input, dedicated dry/synth outputs, and 11 preset slots (one for each setting), and it all adds up to a must-have synth pedal for the genre-hopping bassist.

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ProductElectro-Harmonix Bass Mono Synth Synthesizer PedalTypeBass Mono SynthAnalog/DigitalDigitalInputs1 x 1/4-inchOutputs1 x 1/4-inch (Effect), 1 1/4-inch (Dry Out)Power Source9V DC Power Supply (Included)Pros• 11 synth types for unlimited tonal options • Can save and recall 11 user presets • A great combination of intuitive operation and profound tweakability

DOD Meatbox Sub Synth Pedal

Ground-shaking sub-bass might

Sure, the bass goes low, but what if you need to go lower? Enter the ground-shaking, subharmonic rumble of the DOD Meatbox Sub Synth pedal, an enhanced re-creation of one of DOD’s most (in)famous ’90s creations. An octave knob and low-frequency tone control make for a formidable array of ultra-low tones. But the show’s real star is the synthesized subharmonic effect found on the sub knob. This setting descends into such a deep tone that you’ll likely feel its rumble in your bones. You can also split your signal into independent wet/dry tones with a TRS cable to maximize your low-end potential with a dual-amp wall of sound!

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ProductDOD Meatbox Sub Synth PedalTypeSubharmonicAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inch TRSPower Source9V DC Power Supply (Sold Separately)Pros• Updated circuitry from the ’90s model• From slight thickening to huge low-end assault• Interactive EQ that allows you to tone-sculpt your sound

Aguilar Octamizer V2 Analog Bass Octave Pedal

All-analog sub-octave with superior tracking

The Aguilar Octamizer V2 analog bass octave pedal is sure to please any bassists after the warm, funky sound of all-analog sub-octave vibe. By splitting your signal into two different paths — a clean tone and a sub-octave wet tone — the Octamizer V2 provides a nearly endless assortment of sonic combinations to play with. What’s more, each signal path sports its own unique EQ control, with a multipole lowpass filter on the wet side and a full-spectrum tilt EQ on the clean side to sculpt your sound. We’re particularly impressed by the spot-on tracking provided by the Octamizer V2’s detector circuit, instantly locking on to your target note with minimal glitching — a highly impressive feat for an all-analog sub-octave pedal. When it’s time to take your bass’s low end even lower, the Aguilar Octamizer V2 should be at the top of your list.

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ProductAguilar Octamizer V2 Analog Bass Octave PedalTypeOctaveAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inchPower Source9V DC Power Supply (Sold Separately)Pros• Minimal glitching for a more organic octave bass sound • Lowpass filter that allows you to easily dial in your tone • Clean and octave volume controls that allow you to blend between your wet and dry signal

Tone & Dynamic Effects Pedals

MXR M282 Dyna Comp Bass Compressor Pedal

The 4-string’s answer to the legendary Dyna Comp

The MXR M282 Dyna Comp Bass compressor pedal is a bass-focused take on MXR’s legendary guitar compressor! Like the original, the output and sensitivity controls take your tone anywhere from a slight squish to a rock-solid punch. But the Dyna Comp Bass also features three new controls to better pair with low-register thump: clean, tone, and attack. The clean knob blends your dry sound back into the compressed signal, enhancing your attack and preserving your low end, while the tone knob cranks up your upper-midrange response for a more dynamic feel. Lastly, the attack switch swaps between fast and slow attack on your compression, allowing the M282 Dyna Comp Bass to tackle both vintage and modern compression sounds.

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ProductMXR M282 Dyna Comp Bass Compressor PedalTypeBass CompressorAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inchPower Source9V DC Power Supply (Sold Separately)Pros• Classic MXR compressor sound, now for bass • Mini-pedal size that makes it great for pedalboards• Attack button that allows you to dial in vintage-style attack time and modern fast attack on the fly

Origin Effects Cali76 Compact Bass Compressor Pedal

Studio-grade compression in a stompbox

While we’re certainly enamored with Origin Effects’ entire range of pedals, the studio-meets-stompbox excellence of their compressor pedals is nearly unmatched! Featuring Origin Effects’ iconic, brushed stainless-steel housing and industrial-adjacent appearance, the Cali76 Compact Bass compressor pedal puts the power of a legendary FET compressor at your feet. A wide variety of tone-shaping tools are at your disposal, with perhaps the most important of them being the dry knob, which allows you to mix in your dry signal to prevent any low-end loss when utilizing heavier compression settings. This pedal’s highpass filter doubles down on the low-end preservation by applying compression only to your instrument’s higher frequencies. While it may be based on a classic outboard compressor unit, it’s more than evident that Origin Effects fine-tuned this pedal from the ground up to excel with the extended-range push of the bass guitar.

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ProductOrigin Effects Cali76 Compact Bass Compressor PedalTypeFET Bass CompressorAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inchPower Source9–18V DC Power Supply (Sold Separately)Pros• Studio-quality FET compressor in a pedal format• Can leave the low end unaffected with the HPF knob• Can achieve parallel compression using the dry blend control

Keeley Bassist Limiting Amplifier Bass Compressor Pedal

Three knobs, infinite compression possibilities

Keeley has long been a top contender for boutique compressor pedals. The Keeley Bassist Limiting Amplifier Bass Compressor pedal brings that classic formula over to the bass guitar! A 3-knob layout keeps everything simple with studio-grade VCA-style compression and limiting potential that keeps your signal’s bass response full and transparent. Moreover, it’s fine-tuned to handle even the hottest active preamps and line-level signals. The more than 20kHz bandwidth and astonishingly low noise ensure your signal remains free from unwanted artifacts or distortion. You can even dial back the compression and crank up the output for gritty, boosted tones — a favorite feature of Sweetwater bassists looking for a more aggressive bite.

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ProductKeeley Bassist Limiting Amplifier Bass Compressor PedalTypeAmplifier, CompressorAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inchPower Source9V DC Power Supply (Sold Separately)Pros• High-quality VCA-style compressor at your feet• Can double as a limiter to protect your amp and speakers from distortion• Simple control interface

Universal Audio Max Preamp and Dual Compressor Pedal

Three Iconic compressors in one!

No bass tone is complete without compression! And luckily for you, the Universal Audio Max Preamp and Dual Compressor pedal gives you insane flexibility, thanks to its dual-compression design. When you need to squash a signal, the first compressor is stacked into a second for maximum density. So, what compressors are available? You get the red 2-knob compressor that bassists have used for decades. Next are faithful models of UA’s 1176 and the studio staple Teletronix LA-2A. That’s not all, though. You’ll also benefit from the sheer harmonic warmth of the iconic 610-style preamp. Finally, you can pair your Max Compressor with UA’s UAFX control software for total control over the pedal’s operation.

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ProductUniversal Audio Max Preamp and Dual Compressor PedalTypeCompressorAnalog/DigitalDigitalInputs2 x 1/4-inch TSOutputs2 x 1/4-inch TSPower Source9V DC Power Supply (Sold Separately)Pros• Stereo dual compressor and preamp pedal• 3 classic compressor emulations and a preamp modeled after the UA 610 tube preamp — all in 1 pedal• The most versatile compressor and preamp pedal on the market

Multi-effects Pedals

BOSS GX-100 Guitar Multi-effects Pedal

A library of sounds from the BOSS flagship GT-1000

The BOSS GX-100 guitar multi-effects pedal is another of Sweetwater’s best guitar pedals for bass, and regardless of its 6-string designation, it’s equally adept for the 4-string. This multi-effects powerhouse contains a curated assortment of top-tier effects from the BOSS flagship GT-1000 pedal, including classic BOSS effects and a host of ultra-realistic, AIRD-enabled (Augmented Impulse Response Dynamics) amp/cab models for a studio-ready sheen. Multiple freely assignable footswitches, an expression pedal, and a high-visibility color touchscreen offer a highly accessible workflow, making it simple to switch up your patches onstage or dive into the GX-100’s deep editing suite. Plus, the GX-100’s extensive routing and utility functions — including effects send/return, audio interface functionality, USB, MIDI, and much more — essentially allow you to replace everything in your rig sans the bass with the all-encompassing might of the BOSS GX-100!

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ProductBOSS GX-100 Guitar Multi-effects PedalTypeMulti-effectsAnalog/DigitalDigitalInputs1 x 1/4-inch (Instrument), 1 x 1/4-inch (Return)Outputs2 x 1/4-inch (L/Mono, R), 1 x 1/4-inch (Send)Power SourceAC Adapter (Included)Pros• Can combine up to 15 simultaneous effects• 23 AIRD amps to choose from• Comes with more than 150 effects to cover an unlimited sonic range

Neural DSP Quad Cortex Quad-Core Digital Effects Modeler/Profiling Floorboard

The last piece of bass gear you’ll ever need

Your guitar-playing comrades may have told you about the wonders of the Neural DSP Quad Cortex Quad-Core digital effects modeler/profiling floorboard. But did you know it’s amazing for bass guitars, too? That’s right! This uncompromising pedal packs a massive punch. It is compact and chock-full of amps, cabs, stompboxes, and even a looper! All of those features make the Quad Cortex more than capable of replacing your entire rig — an idea that your back will surely thank you for. This modeler/profiling floorboard is so powerful that it can handle multiple amp chains and players simultaneously. Already have world-class gear? No problem. The Quad Cortex’s Neural Capture feature digitizes it all and stores it onboard. Simply put, the Neural DSP Quad Cortex has the features, power, and flexibility to be the final piece of bass gear you ever buy.

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ProductNeural DSP Quad Cortex Quad-Core Digital Effects Modeler/Profiling FloorboardTypeMulti-effects, Amp Modeling, Digital Amp CaptureAnalog/DigitalDigitalInputs2 x XLR-1/4-inch Combo (Instrument/Mic), 2 x 1/4-inch (Return 1/2)Outputs2 x XLR, 2 x 1/4-inch TRS, 2 x 1/4-inch (Send 1/2)Power Source12V DC Power Supply (Included)Pros• Endless sonic possibilities• Compact enclosure• More than 50 amps, 40 effects, and 1,000 IRs

Tech 21 Bass Fly Rig v2 Bass Multi-effects Pedal

Step up from the SansAmp

The Tech 21 SansAmp series has long served as a top pick for bassists looking to ditch their traditional amplifier setup. But what if you’re after a pedal to ditch your rig entirely? The Tech 21 Bass Fly Rig v2 bass multi-effects pedal is designed to do that, as it’s packed to the brim with a dual-channel design that includes a full-fledged SansAmp and an extensive effects section. Chorus, fuzz, octave, Octafilter, drive, compression, EQ... The Tech 21 Bass Fly Rig v2 is a top-class replacement for your amp and entire pedalboard. However, if you’re too attached to your stompboxes to let go, then a built-in effects send/return makes it a breeze to incorporate them cleanly into your Bass Fly Rig v2.

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ProductTech 21 Bass Fly Rig v2 Bass Multi-effects PedalTypeBass Multi-effectsAnalog/DigitalAnalogInputs1 x 1/4-inchOutputs1 x 1/4-inch, 1 x XLR (Female)Power Source9V DC Power Supply (Included)Pros• Compact and lightweight• All-analog signal path that ensures high-quality sound• Built-in effects loop and tuner

Line 6 HX Stomp Guitar Multi-effects Floor Processor

Cutting-edge multi-effects modeling power

We saved one of the most potent pedals for last: the all-encompassing Line 6 HX Stomp guitar multi-effects floor processor. A multi-effects unit, modeling powerhouse, and audio interface all-in-one, the HX Stomp is the perfect choice for guitarists looking to ditch their convoluted rig for a simple grab-and-go, 3-switch stompbox. This pedal comes with Line 6’s cutting-edge Helix-family technology with more than 300 amps, cabs, and stomp models to choose from — plenty of which are voiced specifically for bass applications. Though packed with a host of high-end features — such as MIDI functionality, a built-in effects loop, and 126 editable presets — the HX Stomp’s intuitive workflow and easy-to-use, 2.4-inch color display make using the processor as simple or as complex as you need for your respective applications. If you’re after a single pedal to do it all, then look no further than the Line 6 HX Stomp.

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ProductLine 6 HX Stomp Guitar Multi-effects Floor ProcessorTypeMulti-effects with USB InterfaceAnalog/DigitalDigitalInputs2 x 1/4-inch (L/Mono, R), 2 x 1/4-inch (L/R, Aux In)Outputs2 x 1/4-inch (L/Mono, R), 1 x 1/4-inch (Stereo Send)Power Source9V DC Power Supply (Included)Pros• Legendary Helix-family processor in a compact unit• More than 300 onboard amps, cabs, and stomp models• 126 presets for you to dive into as soon as you get it

Bass Guitar Pedal Buying Guide

When you think of a bass guitar, you might not think about pedals. Who has the desire to carry around a big pedalboard as guitarists do? While it may be true that pedals are not as synonymous with bass guitars as they are with electric guitars, they are still crucial for giving you more tonal possibilities or improving your tone. But where and how do you begin to look for bass pedals? Fortunately, Sweetwater has a wide selection of bass pedals from the top brands. So, before you dive headfirst into buying bass pedals, let’s cover the basics.

This Sweetwater buying guide takes a pedalboard-style approach to your signal path, providing you with essential insights into the ever-growing world of bass guitar effects. If you have questions about buying your next bass guitar pedal or need help deciding, then please don’t hesitate to call your Sweetwater Sales Engineer at (800) 222-4700 for more information.

What Is the Best Signal Flow?Frequency EffectsEQ PedalsWah & Filter PedalsPitch-shifter & Harmony PedalsGain StagePreamp PedalsOverdrive PedalsDistortion & Fuzz PedalsModulation EffectsChorus & Flanger PedalsPhaser Pedals

What Is the Best Signal Flow?

If you have never bought a bass pedal or are new to pedals, then you might be perplexed by the sheer number of pedals offered today. An important thing to understand about pedals and their signal paths is that any pedal or effect you stick into the signal path will affect everything after it.

Another thing to mention is that the order of your pedals matters (but also doesn’t). On the one hand, pedal order is subjective, and you can arrange the order of your pedals however you want. On the other hand, the order does matter because what you place after an effect will affect how it sounds. A good rule of thumb for bassists starting out with pedals is to follow this order: bass to frequency to gain stage to modulation to amp.

Frequency Effects

Frequency effects cover a wide range of different pedal types. But at Sweetwater, we consider filter, equalizer, wah-wah, pitch-shifter, and harmony pedals to be frequency effects.

EQ Pedals

Some people rely on the EQ section of their amp to sculpt their tone, but an EQ pedal might do the trick for those wanting a little more flexibility in fine-tuning specific frequencies. Most bass guitar equalizer pedals are graphic EQs with five to 10 frequency bands. These are easy to dial in on the fly if you need to make quick adjustments to suit a particular venue. If you want a pedal interface that looks more like the EQ section of an amp, then you’ll want to check out a parametric EQ, which is great for punching in creative tone shifts and fixing frequency imbalances.

Wah & Filter Pedals

Nothing screams funk bass more than the classic wah pedal, which lets you manually sweep through the frequency spectrum with a resonant peaking filter by rocking your foot. While operating wah pedals is pretty simple, they differ considerably based on what manufacturer makes them, their circuitry, and their control mechanism (potentiometer vs. optical sensor).

If you like the sound of a wah pedal but don’t like the constant hassle of moving your foot up and down, then you may want to try an autowah pedal (also called an envelope filter). The autowah was originally intended to produce the same funky sounds you can get from a wah-wah pedal; however, the faster automatic frequency sweep response these pedals provided opened up a new range of effects. All in all, no two autowahs or envelope filter pedals are the same, which makes finding the right one for you that much more fun.

Pitch-shifter & Harmony Pedals

Pitch shifters and harmony pedals are available in a variety of designs, such as the traditional octave-up or octave-down bass emulation models and polyphonic harmony pedals that allow you to specify whole chords. These pedals are all individual beasts, each with controls solely based on their intended use. Pitch shifters and harmony processors are fun to use if you like to make original sounds, and they also spark some creativity and allow you to think outside the box with your tone.

Gain Stage

The gain stage covers a wide array of different types of effects and can range from pedals as mild as bass preamps to insane bass fuzz effects. For bass guitar, the gain staging pedals include preamp, overdrive, distortion, and fuzz pedals.

Preamp Pedals

A workhorse and necessity for many bassists, the preamp pedal allows you to control the tone and output with a tap of a switch. Preamp pedals give you an EQ section to shape your tone, an output section to control the signal’s volume, and a DI output for connecting to a live console or recording interface. Some preamp pedals come with a switchable overdrive or distortion section, so you get two pedals in one!

Overdrive Pedals

And speaking of overdrive, that’ll be the next type of pedal you’ll typically find after a preamp pedal. For bass, overdrive pedals give your signal a little crunch and nice harmonic quality while retaining the note clarity. Overdrives are great for adding a little grit to your tone or standing out in a mix or band setting.

Distortion & Fuzz Pedals

If you’re looking for a huge, dirty tone, then you may want to look into bass distortion pedals. Bass distortion pedals come in a wide range of styles but serve the purpose of adding grit and character to your tone. You’ll sometimes get a fuzz effect when distortion pedals are pushed to the extreme by maxing out the distortion knob. This gives your tone a compressed yet huge sound that really makes your bass stand out among the rest of the band.

Modulation Effects

Chorus & Flanger Pedals

If you thought chorus and flanger pedals were just for guitars, then you were wrong. Those bright sounds and swooshing soundscapes pair well with bass guitars, too. Many genres are synonymous with modulated bass guitar, such as pop, New Wave, and post-punk. But what is the difference between chorus and flanger effects?

Although chorus and flanger effects are similar — so much so that many companies offer both effects in one pedal — they produce different sounds. The most noticeable difference between the two is that flanging produces a distinct rise-and-fall sound, whereas chorus produces a more spacious shimmer with a noticeable delay.

You may ask where flanging came from or how flanging even became a thing. Flanger pedals emulate an old studio trick involving desynchronizing two tape reels. Since pedals can’t fit two tape reels into their enclosures, a flanger pedal re-creates that studio trick by different means. Flanger pedals produce a movable comb filter (a series of frequency dips and peaks) by doubling the incoming signal, delaying the doubled signal slightly (no more than a few milliseconds), modulating the delay, and feeding a small amount of the delayed signal back into the effect. Typical flanger controls include the modulation rate and depth as well as the amount of feedback.

The chorus effect was a happy mistake when engineers tried to emulate flanging and instead produced a slightly different sound. Chorus involves modulating a delayed signal just like a flanger — only, there’s considerably more delay and no (or very little) feedback. Chorus pedals tend to have broader depth and rate controls. Additional controls include pre-delay for further offsetting the delayed signal and a tone knob for cutting down the brightness.

Phaser Pedals

The phaser effect is produced by having several frequency notches and peaks sweep across the frequency spectrum at regular intervals using a phase cancellation technique. The phase-shifted signals are modulated by an LFO, resulting in a steady sweep that is somewhat more subdued than flanging. While traditional phasers frequently just have one rate control, some contemporary phasers also include a depth control that allows you to enhance the resonance in the filtering to create a much more pronounced effect.

Shop Sweetwater’s Best Bass Guitar Pedals

These are 20 of the best bass guitar pedals in 2024! Whether you’re looking for a rock-solid preamp pedal, watery chorus, or washy phaser, make sure to reach out to one of our knowledgeable Sweetwater Sales Engineers at (800) 222-4700 for expert advice on how to build the bass pedalboard of your dreams!Top of Form
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