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Archival music collection from June Chikuma, composer of the "Bomberman" videogame soundtracks

Saturday February 2, 2019. 01:13 AM , from BoingBoing
June Chikuma is the Japanese composer behind the beloved soundtracks to Nintendo’s Bomberman series and countless other videogame, TV, and film scores. Now, Chikuma's 1986 album 'Divertimento' has been expanded into a new edition titled Les Archives, available from the Freedom To Spend label. The vinyl edition of Les Archives also includes a limited 7' with tunes from the era that didn't make the original Divertimento release. The above video, 'June Rebuilds,' was directed by Amanda Kramer and features the track 'Broadcast Profanity Delay' from Les Archives. From the release announcement:

While Freedom To Spend’s reinvented edition bares little visual evidence of its origins in the composer’s name, title, or sleeve design, the album, a whooping gonzo of synthesizers, samplers, drum machines, and a mysterious string quartet, remains as vibrant now as it did when released on Toru Hatano’s Picture Label as Divertimento in 1986. In fact, the music of Les Archives now glows with a different purpose; one that revises the past while maintaining, and finally elevating, its hidden influence.

A woman of multiple disciplines and identities, June Chikuma (竹間 淳, Chikuma Jun) has composed for TV, film, and video games over the past thirty plus years. Her proto-techno and drum and bass soundtracks for Nintendo’s Bomberman franchise in the 80s and 90s is an oeuvre unto itself. In more recent years her musical focus has turned toward classic Arabic and Egyptian music. Chikuma studies Arabic nay, playing and performing with Le Club Bachraf ensemble. In a melding of June’s contrasting, colorful worlds, Le Club Bachraf composed part of the original score for the 2007 video game Sonic and The Secret Rings.
Chikuma’s neon-vibrant aesthetic would be at home soundtracking films like After Hours or Teknolust. However, Les Archives is the score for a movie of mistaken identity – clones redressed in a guise of the artist’s re-coding. The legitimate artifact deceives history. There is no original, but this copy is singular and complete.
https://boingboing.net/2019/02/01/archival-music-collection-from.html
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